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An Unfinished Sufficiency / Ruth O'Callaghan

An Unfinished Sufficiency

By: Ruth O'Callaghan

€12.00
Dispatches from the front, weather reports from inner and outer weather, it is winter creeping forward into memory with the “boneless words of a child” where a man turns “his mouth adrift in his face” and where the wrist of a woman collecting money is curved “as if the weight of future coinage already hung there”. Things go wrong in Ruth O’Callaghan’s poetry but the poems themselves are sharp and compassionat...
ISBN 978-1-910669-04-4
Pub Date Monday, June 22, 2015
Cover Image Jessie Lendennie
Page Count 84
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Dispatches from the front, weather reports from inner and outer weather, it is winter creeping forward into memory with the “boneless words of a child” where a man turns “his mouth adrift in his face” and where the wrist of a woman collecting money is curved “as if the weight of future coinage already hung there”. Things go wrong in Ruth O’Callaghan’s poetry but the poems themselves are sharp and compassionate, not in any easy gestural way, but through an understanding of what confronts us both in nature and our lives, the language beautifully heard, packed and measured.  George Szirtes

Ruth O'Callaghan

Translated into six languages, Ruth O’Callaghan is an international poet who has read/lead workshops in Europe, Asia and the USA – where she was the only poet reading to nearly a thousand whilst the next day the audience was outnumbered by buffalo. A  poet needs a sense of humour. A Hawthornden Fellow, international competition adjudicator, interviewer, reviewer, editor and mentor she works with both novice – aiming for that all important first collection – and more established poets. She has nine full collections and her book of interviews with 23 internationally eminent women poets is “a very important contribution to world literary history.” (Professor Brant, Professor of Literature at King’s College, London). She was awarded a gold medal at the XXX World Congress of Poets in Taiwan whilst her collaboration with women poets in Mongolia produced a fascinating book. She hosts two poetry venues in London which supports three Cold Weather Shelters and is also the poet for Strandlines, a multi-disciplinary project administered by Kings College, London.  

A Calculation of Dark

In this ruined light – the dark leaking into the garden
as if light were an interloper

whose presence, no longer desired, 
is sequestered to other places – the urgency of shadow

conspires, determines cross-woven words that lie 
in the gap between desire         

and undisclosed restraints.
Such absence is mocked by the schack-schack of jay

concealed in the elderberry beyond the boundary wall
but a quiver of leaves betrays

as will a breath, caught,
or the silk-split of a leaf loosed from its stem.


Safari

I have left linen bleaching in a white sun
by an inlet with its slack of winter water

where a heron breaks free from brittle light.
Skin tightened with cold desires the code

of touch. Unregarded, the curvature of trees
bears the mark of previous snows, grass 

shrivelled, the earth bitten: winter-ravenous.
Winter-ravenous, I will arrive: my feet bare.


Narrative 

Narrative? There is no narrative. Unless you mean 
the mice-scratch of voices rising from the reeds’

silty bed or the latent lick of water rimming the bank 
from a rower already beyond the curve of the river. 

Yet ever, as the last harsh of the late returning crow,
deep-locked, shackles the evening, there remains,

unresolved but latched in re-arrangements of light, air, 
stealth, in a conspiracy of shadows, such a hunger 

for the unremembered that even a midge or squall of dust 
recalls maps of countries no longer named and those

who have no purchase trace, with naked eye, the plane’s 
arc prinked in the sky like stars in a child’s colouring book.

Copyright © Ruth O'Callaghan 2015

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