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The Quiet Jars: New & Selected Poems / Ron Houchin

The Quiet Jars: New & Selected Poems

By: Ron Houchin

€12.00
The seventy poems of this New and Selected collection by award-winning Appalachian poet Ron Houchin base themselves on a life within the spirit of place on the banks of the Ohio River.  They include a section of all new work combined with other relevant poems of lived-experience from his five previous volumes and three chapbooks of poetry published in Ireland and the US.  Offered in nearly chronological...
ISBN 978-1-908836-43-4
Pub Date Friday, February 15, 2013
Cover Image © Daveallenphoto | Dreamstime.com
Page Count 104
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The seventy poems of this New and Selected collection by award-winning Appalachian poet Ron Houchin base themselves on a life within the spirit of place on the banks of the Ohio River.  They include a section of all new work combined with other relevant poems of lived-experience from his five previous volumes and three chapbooks of poetry published in Ireland and the US.  Offered in nearly chronological order, the poems work memoir-fashion toward insight and understanding of the life revealed at the banks of the historic river French fur trappers called La Belle Rivière in the foothills of the oldest mountain range of North America.   

Ron Houchin

RON HOUCHIN was born in San Diego, California and raised from three years old in Huntington, West Virginia, where his family of coal miners, factory workers, and farmers have always lived. For thirty years he taught composition and literature in a secondary school in southernmost Ohio. He has nine published books, one of short stories and eight of poetry. In addition to Paterson Prize and Pushcart nominations, his work has received an Appalachian award for Book-of-the-Year in poetry and the 2013 Weatherford Award for poetry.  His poems have appeared in a wide variety of journals on both sides of the Atlantic, including The Stinging Fly, the Southwest Review, Poetry Northwest, Poetry Ireland Review, The Galway Review, the Hampden-Sydney Poetry Review, Devilfish Review, Acorn, Sow's Ear, Five Points, STILL: The Journal, and others. He lives on the Ohio River, across from Huntington, WV, in a haunted house near a former hideout of the Underground Railroad. His first book, Death and the River, was published by Salmon in 1997.

Shooting the Moon
(1957)

I’d fire arrows and BBs at it
by the score, never thinking what
target they finally found.

What is the moon? I kept asking.
God’s shield?  The Devil’s mirror?
It’s not the perfect blister on a black foot

or the green cheese my grandfather grinned
about.  In the flat earth of my youth, I believed
only in the plain, not in books.  

Trust was straight and close cropped 
like my hair.  Why couldn’t I hit 
the crescent, hanging like a banana,

with my .22?  The ammo box read,
Range: one mile.  How far could it be?
I was ten by Halloween that year 

it hung orange as a pumpkin overhead,
God’s trick-or-treat mask.  I aimed up
and up with the 12 gauge from my uncle’s 

closet and waited for the wind to die down.
No fluttering leaves in the line of fire.
With the gun butt snug against my shoulder,

I squinted at the shadow of the nose
and squeezed the trigger as I’d been shown.
Light spread over the barrel, each pellet

burned into the sky.  Shot sprayed
down round me again, like…spit, 
from how far?



Machine from Animal

When I was a kid, I couldn’t tell
machine from animal.
The patience of those cars waiting 
all night at the curb, like horses 
tethered for hours outside saloons, 
disturbed my sleep.

In the fields, cows stood chewing
their cuds and shoving out manure.
Our washer or dryer shook 
and left a little red pool.  
My father wound a grasshopper 
up and let it leap into the weeds.  
It leaked a little oil in his palm. 

Yet, I rode our dog, and teased 
our cat, I climbed into our Plymouth 
and was driven off to school.  
I am still that kind of fool.



Horses and High Water

The first half of December, the earthy waters
stalked up the McMurty fields.
The old man’s four horses went to the high corner,
near his house, to stand sad-eyed
and brown as violins.

                             When the water
covered the bellies of his tractor and his truck,
he still did nothing, as if disbelief were a sufficient dam.
Above ground like dough, full of dreadmarks, and the horses’
sucking hooves, clouds locked into their docks.
The temperature dropped; sky melted toward Christmas.

                                  I gave up looking
out the window.  The freezing rain still caught
in the horses’ hair; ice landed in their lashes.
Each morning there was fresh hay in the highest
part of the lot.  It is in such contrasts I hear 
the caroling of despair.

                              Now, those four horses
have run far from the stable of memory.
The minute hands of snow curried everything
at midnight, saying, Remember,
there is no such thing as lost.  

Copyright © Ron Houchin 2013


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