Birnam Wood / El Bosque de Birnam – A poetic anthology
|José Manuel Cardona (Translated from the Spanish by Hélène Cardona)|
Page Count: 94
Publication Date: Thursday, February 22, 2018
Cover Artwork: "October" by Jacquie Gouveia
About this Book
Praise for Birnam Wood
These are poems of solid classical diction, keenly aware of the rich traditions that precede it, where mythology, travel and personal memory represent starting points for erotic and metaphysical reflection.
author of Traveller of the Century
“It’s possible things are not/ as we wished them to be,” José Manuel Cardona writes in Birnam Wood, a superb account of his travels around the world in the service of poetry. Exploring the consequences of the fact that “Only man is capable of destroying/ what he never created/ and he along believes belong to him,” he creates a rival system of belief, which depends upon his vivid imagery, sophisticated ear, and wisdom borne of experience, all of which his daughter, Hélène, a gifted poet in her own right, has gracefully preserved in her translations. This selection of his poems, spanning the length of an illustrious career, are everything we might wish them to be.
Birnam Wood embodies the self in the world of myth with its attendant themes of tragedy and fate. If the water of exile is longing, the cup brims over in these sun-shattered works of diaspora. Cardona is an essential twentieth-century Spanish poet. His poems journey toward an ever-receding home.
The lush and mystical poetry of José Manuel Cardona’s Birnam Wood is firmly rooted in the world of classical mythology as a means of articulating what is human and timeless.
From the ghostly amphora that languish at sea bottom “like soft fish that escaped/ the potter’s greedy love” to the impulse “to tell how yesterday’s solitude was”, Hélène Cardona’s translations are revelations of language and image, a voice dipped in clear water and wrung through her careful hands.
In the best tradition of the Poets of 1927 (including Cernuda and Lorca) and postwar Spanish poetry, José Manuel Cardona, mellifluously renders a typically fine sonnet in his imperially lovely Birnam Wood. Like the great Spanish poets of his time, he takes from 16th and 17th century poets, from Saint John of the Cross to Luis de Góngora to Antonio Machado and Federico García Lorca. In his lyrical poem to the painter Pedro Bueno, he reveals his command of the sonnet as well as his own daring paradoxical modernity:
You pushed the rigor of a limitless art
to unfathomable mysteries
opening to the color white the singing
the Chimera never dreamt.
Occult light, impenetrable aromatic smoke,
in your paintbrush hands, solitary passion.
José Manuel Cardona is a poet, writer and translator from Ibiza, Spain. He is the author of El Vendimiador (Atzavara, 1953), Poemas a Circe (Adonais, 1959), and El Bosque de Birnam: Antología poética (Consell Insular d’Eivissa, 2007), published as a tribute by the government of Ibiza.
He co-founded and co-edited several literary journals, among them Luna Negra, with José María Rodriguez Méndez, and Atzavara, with Francisco Galí, and wrote for many publications (Cántico, Ibiza, Isla, Eivissa, Caracola, Arkángel, Alcaraván, Poesía Española, Azemar, Alfoz, Trilce, La Calandria, Aljaba, Mensaje, among others). He participated in the II Congreso de Poesía in Salamanca and belonged to the Cántico group.
The Franco regime forced him into exile in France. Years later, when the socialists came to power in Spain, he was offered a ministry position, which was ultimately denied him by the still heavily embedded Franquist administration. (He remained blacklisted for several years).
He holds PhDs in literature and humanities (University of Nancy), and political sciences (Graduate Institute of International and Development Studies, Geneva). He wrote his thesis on the Mexican revolution at the Instituto de Cultura Hispánica de Madrid and is an attorney (University of Barcelona).
He worked for the United Nations most of his life, in Geneva, Paris, Rome, Vienna, Belgrade, Sofia, Kiev, Tbilisi, Moscow, St. Petersburg, and Panama, among many places.
About the Translator:
Hélène Cardona is the author of seven books, most recently Life in Suspension, Dreaming My Animal Selves, and the translations Beyond Elsewhere (Gabriel Arnou-Laujeac), winner of a Hemingway Grant, Ce que nous portons (Dorianne Laux); and Whitman et La Guerre de Sécesssion: Walt Whitman’s Civil War Writings for WhitmanWeb.
She has translated Rimbaud, Baudelaire, René Depestre, Ernest Pépin, Aloysius Bertrand, Maram Al-Masri, Eric Sarner, Jean-Claude Renard, Nicolas Grenier, Christiane Singer, and John Ashbery. Publications include Washington Square Review, World Literature Today, Poetry International, The London Magazine, The Brooklyn Rail, Hayden’s Ferry Review, Drunken Boat, Anomaly, Asymptote, and The Warwick Review.
She worked as a translator/interpreter for the Canadian Embassy in Paris, received fellowships from the Goethe-Institut and the Universidad Internacional de Andalucía, the 2017 International Book Award in Poetry, the 2017 Best Book Award in Poetry, the 2015 USA Best Book Award in Poetry, 2 Pinnacle Book Awards for the Best Bilingual Poetry Book, and 2 Readers’ Favorite Book Awards in Poetry.
Hélène has served as a judge for the 2017 Jacar Press Full Length Competition, the 2016 PEN Center USA Translation Award, the 2015 Writer’s Digest Challenge, and the 2014 Rabindranath Tagore Award. She co-edits Plume, Fulcrum, and Levure Littéraire.
Acting credits include Chocolat, Jurassic World, Dawn of the Planet of the Apes, The Hundred-Foot Journey, Serendipity, Mumford & more.
Read a sample from this book
Copyright © José Manuel Cardona & Hélène Cardona 2018