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Time Gentlemen, Please
March 2008

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The Boy with No Face
February 2005

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Frightening New Furniture
March 2010

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Mentioning the War: Essays & Reviews 1999-2011
April 2012

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The Ghost in the Lobby
February 2014

Song of Songs 2.0

Kevin Higgins

ISBN: 978-1-910669-84-6

Page Count: 166

Publication Date: Monday, April 24, 2017

Cover Artwork: Mark Jameson

About this Book

“Ireland’s accomplished political poet and satirist Kevin Higgins”, 
Diarmaid Ferriter, The Irish Times 

“I read this twice. Now, will make a coffee and read it again.” 
Gene Kerrigan of The Sunday Independent 

“The satirist trades balance for excess, overstatement and savagery, uncovering the hidden dissonances of the social process. Prominent among the younger poets to have set themselves this challenge is Kevin Higgins… Satire is a form of war by other means, and… Higgins shows himself an enthusiastic (verbal) combatant.” 
David Wheatley 

 “Likely the most widely read living poet in Ireland.” 
The Stinging Fly

“As nasty a man as he is poor as a ‘poet’.”
John McTernan 
(former advisor to Tony Blair)

“Good satirical savagery.” 
The Cambridge Introduction to Modern Irish Poetry, 1800-2000 

“Higgins picks apart the human condition, its disappointments 
and indulgences, with vigour and acumen.” 
Roddy Lumsden 

“His contribution to the development of Irish satire is indisputable… Higgins’ poems embody all of the cunning and deviousness of language as it has been manipulated by his many targets... it is clear that Kevin Higgins’ voice and the force of his poetic project are gaining in confidence and authority with each new collection.” 
Philip Coleman

“With backstage guardians in Paul Durcan (see his titles) and Patrick Kavanagh, Kevin Higgins's work has a buoyant spoken immediacy (often taking the form of dramatic monologues), his poems springing out of colloquial address and celebrating the ordinary through a use of quotidian bric-a-brac, which he often pits - with positive effect - against larger (but no more important) forces…Comedy is part of his poetics, and what I especially like in his work is its swiftness of wit, its tone of buoyant contrarianism and jubilant disappointment”,                 
Eamon Grennan, The Irish Times 

“It is a profound compliment to the quality of Kevin’s writing that you can disagree with the content and yet find yourself still reading on and appreciating the style. You’d have to say that he is one of the lead poets of his generation in Ireland at this stage.” 
Clare Daly T.D. 

“Gil Scott Heron’s The Revolution Will Not Be Televised as re-told by Victor Meldrew”. 
Phil Brown, Eyewear 

“Fluent and often as laugh-out-loud funny as Paul Howard's Ross O'Carroll-Kelly.” 
John McAuliffe, The Irish Times 

“Higgins is a genius, because he does something only great poets do: he writes with a voice that is entirely his own, in a style he has invented, about themes and concerns that now are instantly recognisable as his terrain.”                                          
Todd Swift 

“Ireland's sharpest satirist my arse.”                                                               
Fergus Finlay 

“Ireland's best political poet”                   
Mike Jenkins, former editor of Poetry Wales 

“Brilliant satire.”                                                                                                 
Peter Tatchell 

“Kevin Higgins writes political poetry of the highest order, telling truth to power with Swiftian savagery and satirical humour, dissecting and denouncing political doublespeak, pretension and hypocrisy.”                                        
Mike Quille, Culture Matters 

Author Biography

Kevin Higgins is co-organiser of Over The Edge literary events in Galway, Ireland. He teaches poetry workshops at Galway Arts Centre, Creative Writing at Galway Technical Institute, and is Creative Writing Director for the NUI Galway Summer School. He is poetry critic of The Galway Advertiser. Kevin has published four collections of poetry with Salmon, The Ghost In The Lobby (2014), Frightening New Furniture (2010), Time Gentlemen, Please (2008), and his best-selling first collection, The Boy With No Face (2005), which was shortlisted for the 2006 Strong Award for Best First Collection by an Irish poet. His poetry is discussed in The Cambridge Introduction to Modern Irish Poetry and features in the generation defining anthology Identity Parade –New British and Irish Poets (Ed. Roddy Lumsden, Bloodaxe, 2010) and in The Hundred Years’ War: modern war poems (Ed. Neil Astley, Bloodaxe, April 2014). A collection of Kevin’s essays and book reviews, Mentioning The War, was published by Salmon Poetry in 2012. Kevin’s poetry has been translated into Greek, Spanish, Italian, Japanese, Russian, & Portuguese. In 2014 Kevin’s poetry was the subject of a paper ‘The Case of Kevin Higgins,’ or, ‘The Present State of Irish Poetic Satire’ presented by David Wheatley at a Symposium on Satire at the University of Aberdeen. He was Satirist-in-Residence at the Bogman’s Cannon (2015-16). 2016 - The Selected Satires of Kevin Higgins was published by NuaScéalta in early 2016. A pamphlet of Kevin’s political poems The Minister For Poetry Has Decreed was published in December by the Culture Matters imprint of the UK based Manifesto Press. His poems have been praised by, among others, Tony Blair’s biographer John Rentoul, Observer columnist Nick Cohen, and Sunday Independent columnist Gene Kerrigan; and have been quoted in The Daily Telegraph, The Times (UK), The Independent, and The Daily Mirror. The Stinging Fly magazine recently described Kevin as “likely the most read living poet in Ireland.” 

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